Overview

Welcome to Module 2. I’m going to show you three fundamental textures that every arranger has in their toolbox. By the end, you’ll know how each one sounds and be able to decide for yourself when to use them. Starting with unison and octaves, I’ll show you how doubling a note changes the sound. We’ll dig into relative intensity by listening to 16 examples of trumpet, alto sax, tenor sax and trombone playing in different combinations of unison and octaves. After that, we’ll learn how to harmonize the melody in thirds and sixths. I’ll walk you through the procgess of finding the harmony notes and deciding which is the best to use based on voice leading, instrument range, and relative intensity.

Next we’ll learn how shell voicings are constructed and what to consider when finding the right one. We’ll examine how sustained and rhythmic shell voicings add color and texture to the melody and how to make sure they support it rather than get in the way. Last, I’ll show you how to use rhythm section notation techniques with the three fundamental textures. You don’t want to overwhelm the rhythm section with too many notes. We want to give them just enough information for them to support the horns while still grooving and interacting. Throughout the module, we’ll be listening and applying the textures to two classic jazz standards: “All the Things You Are” and “Just Friends.” Let’s get started.